By Thomas Leitch
The main complete quantity ever released on Alfred Hitchcock, overlaying his profession and legacy in addition to the wider cultural and highbrow contexts of his paintings.
- Contains thirty chapters by means of the best Hitchcock students
- Covers his lengthy profession, from his earliest contributions to different administrators’ silent movies to his final uncompleted final movie
- Details the long-lasting legacy he left to filmmakers and audiences alike
Chapter 1 Hitchcock's Lives (pages 9–27): Thomas Leitch
Chapter 2 Hitchcock's Literary resources (pages 28–47): Ken Mogg
Chapter three Hitchcock and Early Filmmakers (pages 48–66): Charles Barr
Chapter four Hitchcock's Narrative Modernism: Ironies of Fictional Time (pages 67–85): Thomas Hemmeter
Chapter five Hitchcock and Romance (pages 87–108): Lesley Brill
Chapter 6 kin Plots: Hitchcock and Melodrama (pages 109–125): Richard R. Ness
Chapter 7 Conceptual Suspense in Hitchcock's movies (pages 126–137): Paula Marantz Cohen
Chapter eight “Tell Me the tale So Far”: Hitchcock and His Writers (pages 139–161): Leland Poague
Chapter nine Suspicion: Collusion and Resistance within the paintings of Hitchcock's lady Collaborators (pages 162–180): Tania Modleski
Chapter 10 A floor Collaboration: Hitchcock and function (pages 181–197): Susan White
Chapter eleven Aesthetic area in Hitchcock (pages 199–218): Brigitte Peucker
Chapter 12 Hitchcock and track (pages 219–236): Jack Sullivan
Chapter thirteen a few Hitchcockian photographs (pages 237–252): Murray Pomerance
Chapter 14 Hitchcock's Silent Cinema (pages 253–269): Sidney Gottlieb
Chapter 15 Gaumont Hitchcock (pages 270–288): Tom Ryall
Chapter sixteen Hitchcock Discovers the United States: The Selznick?Era motion pictures (pages 289–308): Ina Rae Hark
Chapter 17 From Transatlantic to Warner Bros (pages 309–328): David Sterritt
Chapter 18 Hitchcock, Metteur?En?Scene: 1954–60 (pages 329–346): Joe McElhaney
Chapter 19 The common Hitchcock (pages 347–364): William Rothman
Chapter 20 French Hitchcock, 1945–55 (pages 365–386): James M. Vest
Chapter 21 misplaced in Translation? hearing the Hitchcock–Truffaut Interview (pages 387–404): Janet Bergstrom
Chapter 23 unintentional Heroes and proficient Amateurs: Hitchcock and beliefs (pages 425–451): Toby Miller and Noel King
Chapter 24 Hitchcock and Feminist feedback: From Rebecca to Marnie (pages 452–472): Florence Jacobowitz
Chapter 25 Queer Hitchcock (pages 473–489): Alexander Doty
Chapter 26 Hitchcock and Philosophy (pages 491–507): Richard Gilmore
Chapter 27 Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the thing (pages 508–528): Todd McGowan
Chapter 28 events of Sin: The Forgotten Cigarette Lighter and different ethical injuries in Hitchcock (pages 529–552): George Toles
Chapter 29 Hitchcock and the Postmodern (pages 553–571): Angelo Restivo
Chapter 30 Hitchcock's Legacy (pages 572–591): Richard Allen
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Extra info for A Companion to Alfred Hitchcock
Another masterly Dickens novel in that tradition is Bleak House A Companion to Alfred Hitchcock, First Edition. Edited by Thomas Leitch and Leland Poague. © 2011 Thomas Leitch and Leland Poague. Published 2011 by Blackwell Publishing Ltd. indd 28 2/5/2011 10:08:03 AM Hitchcock’s Literary Sources 29 (1853), which Donald Spoto says “engraved itself on Hitchcock’s memory” (Dark 28). The novel’s ingredients – notably its interminable lawsuit but also its wintry setting and its several “ghost” references – show it to be an influence on The Wrong Man.
Mutatis mutandis, we may find much of North by Northwest (and Vertigo) here. The ever-worldly Thornhill’s glimpse of nirvana isn’t the real thing – it’s only what tempts him from life – but in an important sense it might as well have been. North by Northwest is sufficiently surreal, and its parodic tone sufficiently pronounced, to imply a way of seeing different from, perhaps superior to, Thornhill’s. Granted, this sumptuous film is about the real world and realpolitik. When a defeated Vandamm tells his American adversaries, “That wasn’t very sporting … using real bullets,” he is effectively acknowledging that times have changed since the era of the Great Game of Kipling and Buchan, with its oldfashioned, almost gentlemanly rules (see Williams 12, 16).
Spoto, Donald. Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies. New York: Harmony, 2008. Taylor, John Russell. Hitch: The Life and Times of Alfred Hitchcock. New York: Pantheon, 1978. Truffaut, François, with the collaboration of Helen G. Scott. Hitchcock. Rev. ed. New York: Simon and Schuster, 1984. Wilson, Edmund. The Wound and the Bow: Seven Studies in Literature. 1941. Rpt. in Literary Essays and Reviews of the 1930s & 40s. New York: Library of America, 2007. 271–473. indd 27 2/5/2011 10:08:10 AM 2 Hitchcock’s Literary Sources Ken Mogg The bourgeois mind is really the inability to rise above the absolute reality of time and space [and attain] … annihilation of the historical process.
A Companion to Alfred Hitchcock by Thomas Leitch