By Jayson Makoto Chun
This booklet deals a historical past of jap tv audiences and the preferred media tradition that tv helped to spawn. In a relatively brief interval, the tv helped to reconstruct not just postwar eastern pop culture, but in addition the japanese social and political panorama. throughout the early years of tv, jap of all backgrounds, from politicians to moms, debated the consequences on society. the general public discourse surrounding the expansion of tv published its position in forming the identification of postwar Japan throughout the period of high-speed progress (1955-1973) that observed Japan remodeled into an monetary strength and one of many world's best exporters of tv programming.
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Additional info for 'A Nation of a Hundred Million Idiots': A Social History of Japanese Television, 1953-1973
In the postwar context of 34 “A Nation of a Hundred Million Idiots”? the collapse of empire, democratic reforms imposed by the Allies, and the start of commercial broadcasting, television would build on these prewar foundations established by radio. TV would, along with other factors such as economic growth and the increase in the urban population, help transform urban media culture from a culture of a minority of Japanese into a truly mass national culture. In the postwar era, this revived media culture, built on the foundations of the prewar years and spread through broadcasting, developed into a postwar national culture.
The state held such a great faith in the power of radio to communicate with its subjects that a national policy was instituted to provide every Japanese with access to a receiver. 34 Although the beginning of a full-fledged war with the Chinese meant in increasing diversion of national funds toward the war effort, Japan’s television research still managed to make great strides. Despite the cancellation of the Olympics in 1938, research continued with the goal of establishing a working television system.
These developments hinted at a wider problem: the postwar disruption of national culture had challenged the very foundations of Japanese identity. Popular culture in 1950s Japan, with its strange combinations of conservative imperial symbolism and decadent western iconography, reflected the prevailing social confusion. During the days of imperial expansion of the 1930s, the government portrayed the emperor, the Japanese flag, and Shinto shrines as sacred symbols of the empire to be treated with reverence.
'A Nation of a Hundred Million Idiots': A Social History of Japanese Television, 1953-1973 by Jayson Makoto Chun