Mark Mattern's Acting in Concert: Music, Community, and Political Action PDF

By Mark Mattern

ISBN-10: 0813524849

ISBN-13: 9780813524849

I'm a pupil of Mark Mattern at Baldwin-Wallace collage. This ebook offers a few perception into a space of Political technological know-how that doesn't mentioned in educational literature. A needs to learn for Political technology majors round the kingdom.

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Extra resources for Acting in Concert: Music, Community, and Political Action

Sample text

In the Cajun case, despite partial similarities of identity, complex racial and class relationships created a situation in which music increased the gap between two communities. The examples in this book suggest that we must not underestimate the obstacles that limit the bridging role of music, including mundane problems of interpretation as well as stubborn racial, ethnic, class, gender, and political barriers. Political Action The deliberative form of acting in concert proved crucial to understanding the public life of Cajuns and American Indians.

In the Cajun case, it is entirely possible that Cajuns would not exist today as a 35 36 distinctive people if it were not for music. The Cajun revival was initiated and sustained primarily by musicians, and the cultural and economic vitality of contemporary Cajuns depends significantly on their work. Although such a strong claim cannot be made for powwow music, it, too, has played an important role in helping Indian people survive in Minnesota and western Wisconsin and, more recently, begin taking steps to overcome social and political problems.

If community is to serve usefully in today's world, it must be 30 31 capable of encompassing more extensive domains. Some critics allege that community is only possible in local neighborhood settings. Implicitly or explicitly, these critics argue that community requires intimate, face-to-face relations to sustain the common bonds of community. Even some defenders of community make this claim. 9 But this view is a mistake that hinges on an implicit assumption about the nature of the communication that brings community into being and sustains it.

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Acting in Concert: Music, Community, and Political Action by Mark Mattern


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