Download e-book for iPad: Advanced Scale Concepts For Guitar by Jean Marc Belkadi

By Jean Marc Belkadi

(Musicians Institute Press). MI teacher Jean Marc Belkadi finds the secrets and techniques to making attention-grabbing, over-the-top words. This e-book is the full source for using pentatonic, harmonic minor, melodic minor, entire tone, and reduced scales. The CD contains ninety nine full-band tracks.

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Iron Maiden. Killers. C apitol, 1981. Iron Maiden. The N umber of the Beast. E MI, 1982. Judas Priest. British S teel. E pic, 1980. Judas Priest. S creaming for Vengeance. C olumbia, 1982. Metal Explosion. BBC R ecords, 1980. Metal for Muthas. S anctuary, 1980. Motörhead. Ace of S pades. Bronze, 1980. Motörhead. O verkill. Bronze, 1979. V enom. At War with S atan. N eat, 1984. V enom. Welcome to Hell. N eat, 1981. Witchfynde. Give ‘Em Hell. R ondolet, 1980. This page has been left blank intentionally C hapter 2 Metal Goes ‘Pop’: T he E xplosion of Heavy Metal into the Mainstream Benjamin Earl With the increasing standing of cultural studies departments within the academy there has been a welcome growth in the number of studies of popular musical forms such as heavy metal.

Paradigmatic examples of the core of British heavy metal during its crystallized era are the recordings released between 1979 through 1982 of Judas Priest, Iron Maiden, Diamond Head, Motörhead, S axon and V enom, although not every cut. S ome of these bands, such as Judas Priest, had been around before the genre began and had changed their style; others, such as D iamond Head, were youngsters who started playing British heavy metal from the start. To check my judgment and to avoid indulging in cherry-picking specific artists and songs, I asked a panel of ten metal experts to help.

Unlike hair metal musicians, they wore no lipstick or thick eyeliner. British heavy metal’s body types, enhanced by weight-lifting and the cuts of their clothing (and perhaps by self-selection), appear quite muscular. Hair metal bodies are more sinuous, more appropriate for their dancing (and prancing) stage moves. On stage, British heavy metal musicians did not dance but might strut, stand or run – muscular moves. T he clothing of British heavy metal musicians was straight out of male working-class biker fashion, the denim and leather celebrated in Saxon’s song.

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Advanced Scale Concepts For Guitar by Jean Marc Belkadi

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