Get After Effects in Production: A Companion for Creating Motion PDF

By Trish Meyer

ISBN-10: 0080522009

ISBN-13: 9780080522005

ISBN-10: 1578202647

ISBN-13: 9781578202645

Take your After results talents to a brand new point! Twelve step by step tutorials, designed via execs, discover various artistic methods as they educate worthwhile layout recommendations and creation techniques.Updated for After results 6.5, this re-creation covers the main major model five and six good points together with 3D area, cameras, lighting fixtures, parenting, textual content, animation presets, paint, and expressions. each one conscientiously dependent undertaking provides the "why" in the back of the stairs, so that you can adapt those recommendations on your personal designs and movement pics paintings. All comprise undying options that would be of use for a few years to come.After results in construction additionally includes six case experiences of business tasks created by means of award-winning studios similar to ATTIK, trust, Curious photos, The Diecks team, Fido, and the authors' personal studio, CyberMotion. those element the combination of After results, 3D courses, dwell motion, and numerous animation options, revealing the creative options in the back of the spots in addition to the creative thoughts used to execute them. The enclosed DVD includes QuickTime videos of every of the ultimate animations, permitting you to step via them frame-by-frame so that you can study them intimately. Take your After results talents to a brand new point! Twelve step by step tutorials, designed by means of pros, discover quite a few ways as they educate important layout suggestions and construction tips.

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Mov. This duplicate retains the same mode, so it is also set to Overlay. The blend is getting more intense… perhaps too intense. Press T to reveal the Opacity of the duplicate, and blend it down to about 50% Opacity. You now have a nice blend of texture between the flowing liquid and the swirling lines. mov layer, and duplicate it again. This time, set its blending mode to Color. This maintains the luminance values of the layers below, but mixes in the Hue and Saturation of this third soap-film layer.

The current time (top left of Timeline window) will display the layer’s in point until you release the mouse. ț Scrub the timeline and you’ll see particles swirling around in a figureeight pattern. The problem is that it obscures all that’s behind it. You need to drop out its black background, and keep just the particles. mov layer. The Add mode reveals the layers behind, adding to them the color values of the selected layer. Since the color value of black is zero, it adds nothing to the layers behind, revealing them untouched.

67 should place the beginning of the third wave at exactly 09:00. RAM Preview, and see how the waves are now timed to start on beats of the music. 67. 67? 67 waves per second. Atomic Café // Tutorial 1 STEP 51: The speed at which the waves travel from the center is controlled by the Expansion value, which defaults to 5. This pacing is so fast that the first wave is completely off screen before the second one even starts. To create more overlap, slow down the wave Expansion value to 2. ) RAM Preview to confirm that this new Expansion rate works better, and that altering it did not affect the Frequency (how often they trigger) – the waves still sync to the music.

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After Effects in Production: A Companion for Creating Motion Graphics by Trish Meyer


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